这是一篇记录在一个又一个日记中的故事，在经过整理，重新书写，才有了现在样子。【阅读指南】文笔有限，请见谅。有存稿，但更新不定时。1v1感情线，不会出现与其他王子互动。时间线以国一为开始，会有严重ooc，主线剧情最多只走到全高大赛结束。不是不会写，是不想写比赛剧情，只会专注写二人感情线。为了剧情需要，私设偏多，以上介意者出门左转。

“CAN YOU FEEL THIS?” Chuck Palahniuk, the bestselling author of Fight Club , Choke , and Lullaby continues his twenty-first-century reinvention of the horror novel in this scary and profound look at our quest for some sort of immortality. Diary takes the form of a “coma diary” kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide a...(展开全部)

“CAN YOU FEEL THIS?” Chuck Palahniuk, the bestselling author of Fight Club , Choke , and Lullaby continues his twenty-first-century reinvention of the horror novel in this scary and profound look at our quest for some sort of immortality. Diary takes the form of a “coma diary” kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide a...(展开全部)

Just before the outbreak of World War II, young Witold Gombrowicz left his home in Poland and set sail for South America. In 1953, still living as an expatriate in Argentina, he began his Diary with one of literature's most memorable openings: "Monday Me. Tuesday Me. Wednesday Me. Thursday Me." Gombrowicz's Diary grew to become a vast collection of essays, short notes, polemics...(展开全部)

维姆・文德斯 Wim Wenders 著名电影导演，与法斯宾德、施隆多夫和赫尔措格并称为“德国新电影四杰”，是20世纪70年代“新德国电影运动”（New German Cinema）的代表人物之一。 文德斯1945年出生于德国杜塞尔多夫，1963－1965年在慕尼黑大学学习医学及哲学专业，1966年投考巴黎高等电影学院失败，用一年时间在巴黎电影资料馆观摩大量影片自学成才。1970年代，受当时美国公路电影的启发，以及出于少年时对西部片的喜爱，文德斯开始拍摄属于自己的欧洲式的公路电影，并由此奠定了他日后的创作方向，开始了他在光影世界里的慢慢流浪。在他的著名电影作品《德州巴黎》、《美国朋友》、《柏林苍穹下》、《直到世界末日》……中，流浪与疏离成为永远的主角，文德斯也借由这两个元素在银幕上创造出一个个充满诗意与虚空感的世界，赢得了评论家和观众们的喜爱，并多次...(展开全部)

有中文译本了。

The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is uniqu...(展开全部)

For Kenya Hara, design begins with comprehension of the unknown. The concept of “exformation,” to which a chapter was already devoted in Designing Design, continues to preoccupy the Japanese designer. In contrast to “information,” “exformation” describes how little we really know and thus becomes the starting point for any type of design. Based on a range of projects stemming f...(展开全部)